What role does Music Meets Film play in the Estonan film music scene and why is music important for the film? Get answers to these questions and more from this interview with Ardo Ran Varres.
Join us for an interview with Jonas Kærup Hjort as we discuss the symbolism behind his film.
Evi Romen joins us from Austria for a short interview about her first feature film.
How has Covid-19 changed the way people watch films and how will it influence the industry? Get answers from interview with Guy Bisson!
Producers of "My Dear Corpses" tells us about winning Student Academy Award and what was the biggest struggles of filming.
Annika Koppel tells us how difficult it actually is to be a member of a jury and what her first experience with PÖFF was.
What was it like to organise a film festival that was entirely online? What were some funny things that happened during first years of PÖFF? Find out about this and much more in the interview with Helmut Jänes!
Where did they shoot this film? What was the bigger meaning behind all of this? Get the answers from interview with Chino Moya!
To know more about Goethe Institute and PÖFF collaboration and German cinema scene, see the interview with Markus Köcher.
Let's find out why she became a casting director and what projects is Tusse Lande the most proud of!
The director of "Baby" Juanma Bajo Ulloa introduces us the backgroud of this film.
Visory.ai co-founder and CEO Karen Burns tells us more about self-marketing and what are current trends right now.
PÖFF's long-term sponsor and partner Elisa talks about the state of the Estonian cinema scene and what films we should watch.
Producer of "Parquet" tells what was the inspiration for this film and how difficult it is to move on from your past.
How many films has Paul Thilgtes seen in one day and what makes a film great? Watch the interview with him and find out!
Managing Director of German Films Simone Baumann tells us a bit more about German cinema scene and gives suggestions which film festivals to visit in Germany.
What is key for a good film and where is the best place to be a judge? The answer can be found in this interview with Mark Adams!
Director of "Gracious night" Mika Kaurismäki gives insite into how it was to shoot a film during a pandemic and also explaines why there was no script for the film.
Take a look behind the unknown world behind dreams with the producers of "Cortex".
